By Frédéric Chopin, ed. Alfred Cortot
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Extra info for 12 Études op. 25
5. Again a portrait of love's power is jarred by an ironic response. 5 Irony in Heine, "Ich hab' im Traum geweinet," Dichterliebe. Ich hab' im Traum geweinet, Mir traumt', du lagest im Grab. Ich wachte auf, und die Trane FloB noch von der Wange herab. Ich hab' im Traum geweinet, Mir traumt', du verliefiest mich. Ich wachte auf, und ich weinte Noch lange bitterlich. I have wept in my dream, I dreamt you lay in your grave. I awoke, and the tear Flowed still down my cheek. I wept in my dream, I dreamt you were leaving me.
Wie lieblich war der Lindenduft! Wie lieblich ist der Lindenduft! Das Lindenreis I breathed a gentle fragrance. In the room stood A sprig of lime, A gift Of a dear hand. How lovely was the fragrance! How lovely is the fragrance! That lime sprig, Devices and Delights in Poetry Brachst du gelinde: Ich atme leis Im Duft der Linde Der Liebe linden Duft. 23 You broke tenderly; I breathe softly In the fragrance of lime Love's gentle fragrance. The pun exploits the double meaning for the word "linde," which as an adjective (lower case 1) means gentle and as a noun (upper case L) means lime or lime tree.
Poetic Progression and Stimmung Our discussion of poetic content must include two additional analytical concerns, concepts of poetic meaning called "poetic progression" and Stimmung. The concept of poetic progression involves tracing the poet's thoughts or feelings as they evolve over time within one general span or continuum; that of Stimmung involves the ascribing, in some but not all poetry, of a single poetic mood or psychological state that pervades the entire poem. Both illuminate how smaller images and rhetorical devices are incorporated into a larger sense of poetic meaning.
12 Études op. 25 by Frédéric Chopin, ed. Alfred Cortot