Download e-book for kindle: 3D Storytelling: How Stereoscopic 3D Works and How to Use It by Bruce Block, Philip McNally

By Bruce Block, Philip McNally

ISBN-10: 1136038825

ISBN-13: 9781136038822

3D Storytelling is the last word advisor for administrators, cinematographers, manufacturers, and architects of stereoscopic 3D videos and movies. With an emphasis at the aesthetic over the technical, this booklet is a necessary starting place for exhibiting you the way to take advantage of 3D creatively to inform a story.
Hollywood manufacturer Bruce Block and Dreamworks stereoscopic manager Philip Captain 3D McNally mix their colossal real-world event and educating abilities that will help you find out how to:

* imagine in 3D
* combine 3D layout into your script or story
Direct and layout the 3D intensity of your shots
* Use stereoscopic windows
* paintings with the intensity cues in 3D
* Create a snug viewing event for the audience
* Plan modifying and directorial concerns for 3D
* comprehend closed, open, and volatile 3D space

Brimming with sensible details that may be instantly utilized for your 3D construction, the e-book additionally positive factors interviews with a number of the industry’s best stereographers, in addition to 3D diagrams and pictures that illustrate how 3D works, the way it may be managed in creation, and the way 3D can be utilized to inform a narrative.

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Extra info for 3D Storytelling: How Stereoscopic 3D Works and How to Use It

Sample text

Each pair of cameras (a black, green, and red pair) illustrates a different IA setting. These diagrams are exaggerated to illustrate how IA and volume are linked together. 48 The two black cameras have a very small IA so they see nearly identical views of the cube. The cube has no volume. The two green cameras have a medium IA so each camera’s view is different and the cube will have volume. The two red cameras have a large IA and their views of the cube are extremely different. This gives the cube even more volume.

The entire performance is photographed. There is no camera movement, no lens change, and no editing. Then, that 3D movie is projected onto a screen so that the on-screen performers are exactly the same size as they were in real life. A single audience member sitting in the same first row center seat can watch the projected image and every spatial aspect of the real theatre performance will be duplicated by the 3D orthographic movie. The orthographic experience is typical for giant screen presentations and high profile thrill-rides in theme parks.

When viewed, that subject will appear in front of the screen plane. The convergence plane is placed on the subject so the subject will appear at the screen plane. The lenses converge in front of the subject. When viewed, that subject will appear behind the screen plane. Convergence can be used to place an entire scene anywhere in depth on the Z-axis. 42 Converging behind the scene places the scene in front of the screen plane. 43 Converging in the middle of the scene places it half way in front of the screen plane.

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3D Storytelling: How Stereoscopic 3D Works and How to Use It by Bruce Block, Philip McNally

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